The Secret Machines, then. A three piece from the depths of Texas, they burst onto the scene with 2001's mini-LP 'September 000', critically acclaimed, but the trio disappeared into the studio to record this opus, that has rightly earned them the chance to play Earl's Court, the massive arena that this type of music deserves. Admittedly, it was supporting uber-overrated neo-classical band Muse, but hopefully it won them fans among Bellamy's sheep.

The album begins with 'First Wave Intact', a 9-minute full-on freakout (which curiously reminds a massive Radiohead fan such as I of 'OK Computer' opener 'Airbag'), and continues in the same vein. The band wear diverse influences on their sleeve, from bands like the Flaming Lips and Mercury Rev, to more obvious points of contact like Pink Floyd, the influence of whom can clearly be heard on tracks such as 'Pharoah's Daughter' and 'Leaves Are Gone'.

Other highlights of this record include 'Sad And Lonely', a keyboard and percussion led first single that recieved massive airplay on XFM among other stations, and which also really highlights vocalist Brandon Curtis' Neil Young-style cracked voice.

The final track is possibly the best of the record, the second full-on epic guitars, percussion and keyboard of the album. Guitar feedback squalls, drums are smacked desperately as the band go into their final stretch, and this is when you know you've found something rather special.