Seems unbelievable now that it was ten years ago when four teenagers from
Sacramento, came out with their first release “Adrenaline” and a sound
which was as much heavy metal as it was hip-hop, a (as sharpie will
tell you) very testing yet unique guitar sound, and a collection of
some of the best, most claustrophobic songs ever heard and was a genre
defining album. Songs like 'Bored' and '7 Words' made people shut the
fuck up and listen, and then relate. Where as Korn were always hailed
the kings of nu-metal, Deftones have always been the thinking man’s
version, a band that were far too cool for said label and in fact
wouldn't call themselves nu-metal at all. But what proves the heavy
metal champions worth is that they are still the only most consistent,
well respected and generally amazing band to come out of that time,
sound and attitude. This is the Deftones.
This is a collection of the songs, covers and adaptations that never
made any of their other records, but deemed good enough for this, plus
a fantastic DVD with ALL the videos, and marks the 10th anniversary of
the 'Adrenaline' release (or at least, the American version did). Cut
down to only 14 songs and just over an hour of music, its quite clear
there was a heavy amount of editing to compile this collection, but all
the better, this proves as a much more focused, thought-out record and
is one of the best anthologies around. And right from the word
go you are drawn into this very special collection. Deftones cover/jam
session of ‘Savoury’ with and by Far, is truly astonishing, the amount
of energy emitted by this recording is enough to give the world’s
atmosphere another 30 or so years, it’s as if you were in the room
watching them at it. While Deftones acoustic sessions prove their depth
quality of songs, ‘Change (in the House of Flies)’, ‘Digital Bath’ and
‘Be Quiet and Drive (far away)’ sound fantastic here. These adaptations
however don’t stray too far away from the original songs themselves,
and it’s perhaps a little disappointing that you don’t really find
anything new with them, but that, is because they’ve left that to their
covers. Deftones are a band renowned for their covers, and as
Abe Cunningham (drums) explains “Like any song that we have covered, we
first run it through our hearts then let it sink into our marrow, while
having respect for the original, and hoping having a little fun.” . And
this completely shows up here, their versions of Skynyrd’s ‘Simple Man’
and Helmet’s ‘Sinatra’ are truly something, a real tribute to their
peers without being over blown or simple. What’s more are their bizarre
covers of great pop songs, including the bass driven “No Ordinary Love”
(watch out for the amazing ringing out chord which hangs around for an
eternity) or even Duran Duran’s ‘The Chauffeur’ which Chino’s vocals
work perfectly with. The truly stunning moment here though is
their live cover of The Cure’s “If Only Tonight We Could Sleep”,
performed at the MTV Icon show in tribute of The Cure, a show where
every other band, (Blink 182, AFI, Razorlight etc.) simply copied The
Cure. Deftones however, showed their utter integrity with a very
special, intense and atmospheric reworking of The Cure track, and
completely stole the night as a result. The very fact they were playing
a Cure tribute show also reveals a great deal of Deftones’ influences,
mostly from the 80’s, but some of the most content bands around and the
obvious input into Chino’s lyrics this creates. Because along with The
Cure is a fairly cheeky cover of The Smiths’ ‘Please, Please, Please
let me get what I want.’ As for the actual original B-Sides
though, this is perhaps a little misleading. The only B-side that the
Deftones wrote on here is ‘Around the Fur’ recording ‘Chainsaw
Punch/I’ll Throw Rocks at You’ and, although being a fantastic song
itself, it’s a bit of a shame that it is the only previously unreleased
Deftones song on here. The DVD is something else though. They
have thought past just playing the videos in chronological order, they
have thrown in two unreleased videos for ‘engine number 9’ and ‘root’,
and exclusive live and behind the scenes footage in between the videos,
as well as small title pieces for each album, something not really
touched upon in music DVD. As for the videos themselves, they remain
some of the best works in music video ever made; ‘Bored’ still remains
a work or art to this day in the way it portrays teenage suburban
boredom, while showing a fairly contemporary way of filming band
performance, while ‘Hexagram’ shows the intensity of Deftones smaller
live shows, in a special secret fans only gig at a skate park.
So all in all this is a pretty essential collection; an anthology with
great incentive to purchase. Nearly all the songs here are unreleased
and have the added bonus of being mostly great, and owning all the
Deftones videos, finally, is a great feeling. Kudos to the one band who
made it out of nu-metal alive, they know how to compile an anthology
CD. Adam Turner-Heffer |