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This is the third album from Maynard James Keenan's "main" band
Tool, and gives us things never seen in modern metal. It pushes
boundaries, and has done for metal what OK Computer did for Indie.
This is a marvellous work, brooding, dark and highly intelligent.
The album starts with The Grudge, an eight and a half minute
structured uber-tune that most bands would give their left arm to
produce something near to. This confirms Tool's "school" status -
they were the kid who hangs around quietly in the corner, no friends
to show, but is thinking something.
'Mantra' serves only as an introduction to the next song, but people
are divided on the origins of the sample used. Maynard claims its
the sound his cat makes when squeezed. Sure thing, mate. 'Schism' is
the next song, and shows what they really can do. A contorted,
brilliant bassline layered under lyrics of destruction and
rebuilding, the band could really be a 'Wish You Were Here'-era Pink
Floyd for the 21st century.
Then comes a 9-minute song split into two parts, 'Parabol' and
'Parabola'. The version of the two fused together was released on
video, and is one of the greatest things ever to grace MTV screens.
Other than 'Windowlicker', of course. This rythym is something you
could actually hum, and is in essence the centrepiece of the record.
'Lateralus' is the eponymous track, and is another highly intelligent
piece. Tool's rather brilliant drummer Danny Carey has his chance to
shine here, drumming in what seems to be a Fibonacci sequence. Well,
at least we know what they were doing in the 5 years between 'Aenima'
and this. Reading maths books...
The last few songs pass with no particular event, but this cannot
prepare you for 'Faaip De Oaid', a creepy eerie finisher to the
record. A former US Army scientist tells of his experiences with
extra terrestrial beings, and Carey’s drumming makes it far more
sinister. Do NOT listen to late at night.
This is one of the most progressive and inventive records made in
years, and is WELL worth a listen.
Ollie Connors |